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TV On The Radio
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Pascal SANCHEZ
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TV On The Radio are one of those rare bands who command total attention staight away, instantly staking their claim on a place at the top table. They don’t look or sound like anybody else - which makes seeing or hearing them for the first time an immediately convincing experience.
Praise like this can often be heaped on bands for just looking cool, or for being in the right place at the right time - but in TV On The Radio's case, it's the music that does the talking. Admittedly, they’ve got style in abundance, but the visual appeal is counter-balanced perfectly by an instantaneous, charged, organic sound that - crucially - can’t be squeezed into any convenient pigeonhole. They're too good to stay in the art-rock ghetto, too self-aware to be straightforwardly "cool", too distinctive to be comfortably mainstream yet catchier than most of the pop out there, loud and soulful, complex and rocking... we could go on. Just one thing is for sure - they're a much needed addition to any self-respecting record collection. Digging deeper, you'll find a rich history - and it becomes clearer how they have won so many people over in such a short time. Founding member David Sitek produced albums for the Liars and the Yeah Yeah Yeahs - but he'd be the first to say that TV On The Radio are something else altogether. He met singer and lyricist Tunde Adebimpe - an NYU film student specialising in stop-frame animation - back in 2000 when the two became neighbours in a Brooklyn apartment building. The two began exchanging their stockpiles of home-made four track recordings, and shortly afterwards they ventured onto local stages as a completely improvisational two-piece. Gradually, songs emerged from these explorations, and the live side of things was bolstered by the arrival of guitarist Kyp Malone - who also supplies sweet falsetto harmony vocals - bassist Gerard Smith, and drummer Jaleel Bunton, Brooklyn residents all (although a couple have since moved). People started really taking the band seriously when their debut EP, "Young Liars" (Touch & Go), appeared in the late summer of 2003 - the heady blend of bedroom electronics, warm distortion and killer soul vocals sounded - and still sounds - like nothing else around. A tour with labelmates Coco Rosie kept things building - the live shows started to get real busy and, before the year was out, these ripples of intrigue had grown into a tidal wave of excitement. Come SXSW, TV On The Radio were the hottest ticket in town. In the meantime, the band found time to make a debut album which manages to raise the musical stakes still further : "Desperate Youth, Blood Thirsty Babes". Nine tracks that pull the listener in and gather in intensity and invention as the record goes on. Tunde and Kyp's endlessly appealing vocals weave their way through music that somehow combines cosmic jazz (sax and flute), amped-up electronica, twitchy, dancable beats and swathes of treated guitar into rich and endlessly surprising folds of sound. TV On The Radio draw on post-rock, gospel, vintage NYC new-wave, and the deepest dub, but they mark everything they use with their own unique signature, and an instinctive use of melody lightens even the darkest passages. The album is already doing brisk business in the States - the band have been touring solidly, and they're filling out every venue they play - helped out, no doubt, by bundles of positive US press coverage : "Majestlc, glorIous and not like much else you've ever heard before... A strong contender for Album of the Year." Urb "It all hangs together, somehow, swaying unerringly from one idea to the next" Rolling Stone "Like David Bowie's "Station to Station" or Peter Gabriel's "So", TV On The Radio make music that demands to be listened to actively, for the listener to absorb the lethal amounts of heartbreak, dignity and mystery in the human voice." Stylus Live, TVOTR are spellbinding, conjuring up a wall of sound within the first few bars, surging and retreating with a boxer's dexterity. The harmony vocals float unerringly through the noise, and the rhythm section lock into place with a swinging urgency, propelling the music breathlessly forward. There will be plenty of chances to see for yourself - UK shows kick off at the end of May, and the band will be making festival and headline appearances thoughout Europe during the summer. 4AD releases "Desperate Youth, Blood Thirsty Babes" in the UK on June 7th 2004. It's a landmark record, which needs to be heard by anyone who likes their music potent, distinctive and original. Ladies and gentlemen, TV On The Radio have arrived. |
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